{"title":"PUBLICATIONS","description":"","products":[{"product_id":"art-handling","title":"ART HANDLING PARTITUREN DER LOGISTIK, 2016","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe term \"art handling\" describes aspects of the (professional) art scene that often remain invisible: installation and de-installation, technical and conservation-related documentation, storage, transport, and legal issues. Discussions around materiality reveal that infrastructure and logistics are of constitutive significance to the production and presentation of artworks. Over the course of the professionalization of the global art scene, the requirements relating to installation-based, ephemeral, and performative artworks, and how these are handled by the institutions, have continually become stricter, and issues of documentation have accordingly become more complex. On the one hand, new work concepts or works are changing the requirements for the \"infrastructure\" of museums. On the other hand, such \"infrastructures\" that now exist in many places are also directly stimulating the emergence of certain art forms.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe reader \"Art Handling\" was initiated as a result of the symposium of the same name held at the Migros Museum für Gegenwartskunst in 2014, and covers central aspects of this topic in essays and in a round-table discussion.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEdited by\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLucie Kolb\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eChristoph Lang\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWolfgang Ullrich\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJudith Welter\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAuthor(s)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMonika Dommann\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSonia Kacem\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFranziska Koch\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLucie Kolb\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eChristoph Lang\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRachel Mader\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSimone Miller\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePeter J. Schneemann\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMonika Schori\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWolfang Ullrich\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTobias Vogt\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJudith Welter\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBeat Wyss\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGerman\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN 978-3-03764-414-0\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFebruary 2016\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSoftcover, 160x230mm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eImages: 25 color\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesign: Nicolas Eigenheer, Vera Kasper\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublished by JRP|Ringier\u003c\/span\u003e\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161287761971,"sku":"","price":30.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/Theorie_2015_ArtHandling_Seite_01.jpg?v=1783080577"},{"product_id":"zwischenzonen","title":"BETWEEN ZONES. ON THE REPRESENTATION OF THE PERFORMATIVE AND THE NOTATION OF MOVEMENT","description":"\u003cp\u003eThe aims of this anthology are twofold. On the one hand, it is intended to consolidate and document the exhibitions «While Interwoven Echoes Drip into a Hybrid Body – An Exhibition about Sound, Performance and Sculpture» (21 January to 26 March 2006) and «While Bodies Get Mirrored – An Exhibition about Movement, Formalism and Space» (6 March to 30 May 2010), both of which were dedicated, in different ways, to exploring the possibilities of documenting time-based works of art. On the other, it aims to outline the theories that underpin these issues. In short, this is an experiment in discussing the various ways in which disciplines that are fixed in time, such as sculpture and installation, or technologically reproducible media, such as film and photography, relate to time-based fields of art that are performative in character, such as dance, performance and sound, in diverse combinations. The focus is on the areas created by these overlaps, and the art that is produced as a result.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEdited by\u003cbr\u003e\u003c\/strong\u003eRaphael Gygax\u003cbr\u003eHeike Munder\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAuthor(s)\u003cbr\u003e\u003c\/strong\u003ePhilip Auslander\u003cbr\u003eRaphael Gygax\u003cbr\u003eKristina Köhler\u003cbr\u003eVerena Kuni\u003cbr\u003eBabette Mangolte\u003cbr\u003eHeike Munder\u003cbr\u003e\u003cbr\u003eEnglish \/ German\u003cbr\u003eISBN 978-3-03764-125-5\u003cbr\u003eJune 2010\u003cbr\u003eHardcover, 145 x 230 mm\u003cbr\u003e351 pages\u003cbr\u003eImages: 19 color, 70 b\/w\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161287794739,"sku":"","price":48.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/cover_mitbanderolle-2.jpg?v=1783082564"},{"product_id":"bewitched-bothered-bewildered","title":"BEWITCHED, BOTHERED AND BEWILDERED: SPATIAL EMOTION IN CONTEMPORARY ART AND ARCHITECTURE","description":"\u003cp\u003eThis anthology seeks to explore the psychological associations we make with space and the associated social constructs. It describes the extremes of space and its psychological environment, including spatial disorders such as agoraphobia and claustrophobia. It is the pathology of space that conjures up images of hysterical, panicky and neurotic states. At the same time, however, space is also presented as a place of mystery, the unfathomable and temptation.\u003c\/p\u003e\n\u003cp\u003eEditors\u003cbr\u003eAdam Budak\u003cbr\u003eHeike Munder\u003c\/p\u003e\n\u003cp\u003eAuthors\u003cbr\u003ePhilippe Rahm\u003cbr\u003eAnthony Vidler\u003cbr\u003eMark Wigley\u003cbr\u003eStephen Willats\u003c\/p\u003e\n\u003cp\u003eGerman \/ English\u003cbr\u003eISBN: 978-2-940271-29-0\u003cbr\u003eEnglish \/ Polish\u003cbr\u003eISBN: 978-2-940271-30-6\u003cbr\u003eJune 2003\u003cbr\u003eHardback, 160 x 230 mm\u003cbr\u003e208 pages\u003c\/p\u003e\n\u003cp\u003ePublished by JRP|Ringier in collaboration with Laznia Centre for Contemporary Art, Gdańsk.\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161287827507,"sku":"","price":45.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/bbb.jpg?v=1783083164"},{"product_id":"choucroute-au-curry-par-hasard","title":"CHOUCROUTE AU CURRY PAR HASARD, 2000","description":"\u003cp\u003eWhat happens when you travel all over Switzerland and ask people chosen at random for a recipe – whether on the street or on the train, in a Migros branch or up in the Alps? – Both the expected and the unexpected, as well as a bubbling wealth of 50 cooking tips.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eEditors\u003cbr\u003eMigros Cooperative Federation, Culture and Social Affairs Department\u003cbr\u003eChristoph Doswald\u003cbr\u003eCornel Windlin\u003c\/p\u003e\n\u003cp\u003eAuthor(s)\u003cbr\u003eMarysia Morkowska\u003c\/p\u003e\n\u003cp\u003eIllustrations\u003cbr\u003eClaudia and Julia Müller\u003c\/p\u003e\n\u003cp\u003eGerman, French, Italian, English\u003cbr\u003eISBN: 3-907064-12-7\u003cbr\u003e2000\u003cbr\u003ePaperback, 153 x 203 mm\u003cbr\u003e239 pages\u003cbr\u003eIllustrations: 50 drawings\u003c\/p\u003e\n\u003cp\u003ePublished by Christoph Merian Verlag\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161288024115,"sku":"","price":40.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/csm_kb_Choucroute_01_c1299b7529.jpg?v=1783083508"},{"product_id":"das-kunstfeld","title":"DAS KUNSTFELD. EINE STUDIE ÜBER AKTEURE UND INSTITUTIONEN DER ZEITGENÖSSISCHEN KUNST, 2012","description":"\u003cp\u003eWhat do artists, curators, critics, gallery owners, collectors and exhibitions' visitors think about contemporary art, and what do they make of the dramatic changes in this field? The intellectualization of the 1990s was followed by the economization of the 'decade of greed.' Under these circumstances how do the perspectives of the producers differ from the viewpoints of those who decide as gatekeepers—curators, critics, gallery owners, collectors—about success and failure in this field, and from those of 'art lovers' who primarily enjoy looking at the works exhibited?\u003cbr\u003e\u003cbr\u003eIn this volume edited by Heike Munder and Ulf Wuggenig, with contributions from the cultural experts and social scientists Christoph Behnke, Cornelia Kastelan, Valérie Knoll, Sophia Prinz, and Christian Tarnai, the field of art is considered from an objectifying stance. The book is based on interviews with some 800 visitors to contemporary art exhibitions in Zurich, a center of the art market, as well as earlier surveys carried out in Vienna, Hamburg, and Paris in the 1990s.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEdited by\u003cbr\u003e\u003c\/strong\u003eHeike Munder\u003cbr\u003eUlf Wuggenig\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAuthors\u003cbr\u003e\u003c\/strong\u003eChristoph Behnke\u003cbr\u003eLarissa Buchholz\u003cbr\u003eCornelia Kastelan\u003cbr\u003eValérie Knoll\u003cbr\u003eHeike Munder\u003cbr\u003eSophia Prinz\u003cbr\u003eSteffen Rudolph\u003cbr\u003eChristian Tarnai\u003cbr\u003eUlf Wuggenig\u003cbr\u003e\u003cbr\u003eGerman\u003cbr\u003eDecember 2012\u003cbr\u003eISBN: 978-3-03764-300-6\u003cbr\u003eSoftcover, 160 x 230 mm\u003cbr\u003e459 pages\u003cbr\u003eImages 72\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161288286259,"sku":"","price":30.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/Theorie_2012_Kunstfeld_Seite_01.jpg?v=1783083870"},{"product_id":"deterioration-they-said","title":"DETERIORATION, THEY SAID, 2009","description":"\u003cp\u003eEntitled DETERIORATION, THEY SAID, the publication brings together the American artists Cory Arcangel, Jessica Ciocci \u0026amp; Jacob Ciocci \/ Paper Rad, Shana Moulton, and Ryan Trecartin \u0026amp; Lizzie Fitch. In their works, these artists all create an exaggerated, colour-saturated aesthetic which, with its excessive density of symbols, responds to the consumerist state of Western society. Within their visual spaces, the four artists engage with a culture of excess, articulating their critique through a form of appropriation whilst simultaneously unleashing a veritable deluge of images. In the tradition of experimental film and ‘Scatter Art’, they explore potential unconventional narrative patterns and the dismantling of stereotypes. The video works are often presented in sculptural settings, in which fragments of popular culture are amalgamated with handcrafted forms to create an ‘intermedial Gesamtkunstwerk’.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eEditor\u003cbr\u003eRaphael Gygax\u003c\/p\u003e\n\u003cp\u003eAuthor(s)\u003cbr\u003eThomas Beard\u003cbr\u003eRaphael Gygax\u003cbr\u003eEd Halter\u003c\/p\u003e\n\u003cp\u003eGerman \/ English\u003cbr\u003eISBN: 978-3-03764-076-0\u003cbr\u003eSeptember 2009\u003cbr\u003eHardback, 215 x 291 mm\u003c\/p\u003e\n\u003cp\u003e92 pages\u003c\/p\u003e\n\u003cp\u003eIllustrations: 150 in colour, 37 in black and white\u003c\/p\u003e\n\u003cp\u003ePublished by JRP|Ringier\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161288319027,"sku":"","price":38.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/Presse-PDF.Deteriorationtheysaid-1.jpg?v=1783084225"},{"product_id":"displaced-fractures","title":"DISPLACED FRACTURES – ÜBER DIE BRUCHLINIEN VON ARCHITEKTUREN UND IHREN KÖRPERN, 2011","description":"\u003cp\u003eDrawing on the artists featured in the exhibition, the catalogue’s authors explore and expand upon the discourse between sculpture, installation and architecture and their various interrelationships. A tension prevails between form-rejecting and monumental designs, and between subjective and rational-formal gestures. The starting point for this debate is the term ‘Displaced Fractures’, which originates from medicine. This term refers to the phenomenon where fractures in bones occur at a different point from that bearing the main load. The works discussed in the catalogue can be described in terms of this phenomenon and are also regarded as representations of the human physique. Artists: Phyllida Barlow, Tacita Dean, Emilie Ding, Klara Lidén, Ulrich Rückriem, Kilian Rüthemann, Oscar Tuazon, Klaus Winichner Both the exhibition and the catalogue were produced in collaboration between the Migros Museum of Contemporary Art, Zurich, and the SIEMENS FOUNDATION.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eEditors\u003cbr\u003eHeike Munder\u003cbr\u003eThomas D. Trummer\u003c\/p\u003e\n\u003cp\u003eAuthors\u003cbr\u003eHolger Birkholz\u003cbr\u003eKarsten Harries\u003cbr\u003eHeike Munder\u003cbr\u003eThomas D. Trummer\u003c\/p\u003e\n\u003cp\u003eGerman \/ English\u003cbr\u003eISBN: 978-3-03764-177-4\u003cbr\u003eFebruary 2011\u003cbr\u003eHardback, 215 x 291 mm\u003cbr\u003e111 pages\u003cbr\u003eIllustrations: 40 in colour\u003c\/p\u003e\n\u003cp\u003ePublished by JRP|Ringier\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161288351795,"sku":"","price":48.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/COVER_FINAL.jpg?v=1783084384"},{"product_id":"extra-bodies","title":"EXTRA BODIES – ÜBER DEN EINSATZ DES \"ANDEREN KÖRPERS\" IN DER ZEITGENÖSSISCHEN KUNST","description":"\u003cp\u003eThe theoretical volume\u003cem\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003eExtra Bodies – Über den Einsatz des ‹anderen Körpers› in der zeitgenössischen Kunst\u003c\/em\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003eaccompanies the related exhibition (Migros Museum für Gegenwartskunst, November 2017–February 2018) and investigates an artistic phenomenon that started in the 1990s in the field of the performing arts, and are characterized by artists using ‹other bodies› in their practices and making their “vitality” a central part of their artworks. One of the main strategies of this approach is using the specific social roles of these other bodies, thus making the societal dimension a core element of the work—these ‹other bodies› are also described as “extras.” This volume contextualizes the appearance of these other bodies in the broader context of the 1990s, especially in relation to Relational Aesthetics and its theoretical devices. The publication also analyzes the transition from the use of a “bio-political” body to a “psycho-political” body, as seen over the last 30 years.\u003cbr\u003e\u003cbr\u003eThrough successive case studies—among others, the artistic strategies of Ai Weiwei, Vanessa Beecroft, L.A. Raeven, Christoph Schlingensief, Santiago Sierra, Teresa Margolles, and Artur Żmijewski—the author develops a typology of the ‹extra body› and explores its different contexts and references. This art historical research is also linked to an investigation of the relationship between the performing body and its assimilation into the art market and the global art system. Additional insights are given by interviews with artists, gallerists, and participants, who take on the role of an ‹extra body›.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eEdited by\u003cbr\u003eRaphael Gygax\u003cbr\u003e\u003cbr\u003eAuthor(s)\u003cbr\u003eRaphael Gygax\u003cbr\u003e\u003cbr\u003eGerman\u003cbr\u003eISBN 978-3-03764-519-2\u003cbr\u003eJanuary 2018\u003cbr\u003eSoftcover, 160x230mm\u003cbr\u003eImages: 47 color\u003cbr\u003eDesign: Nicolas Eigenheer, Nicolas Leuba\u003cbr\u003e\u003cbr\u003ePublished by JRP|Ringier\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161288384563,"sku":"","price":38.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/Kat_Ausst_2017_ExtraBodies_Leseprobe.pdf_Page_01.jpg?v=1783084602"},{"product_id":"hip","title":"HIP","description":"\u003cp\u003eEditor\u003c\/p\u003e\n\u003cp\u003eRein Wolfs\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eAuthor(s)\u003c\/p\u003e\n\u003cp\u003eRein Wolfs\u003c\/p\u003e\n\u003cp\u003eReto Wüthrich\u003c\/p\u003e\n\u003cp\u003eJohannes M. Hedinger\u003c\/p\u003e\n\u003cp\u003eMarleen Wolfs\u003c\/p\u003e\n\u003cp\u003eClaudia Spinelli\u003c\/p\u003e\n\u003cp\u003eOscar van den Boogaard\u003c\/p\u003e\n\u003cp\u003eRobert Andreas Fischer\u003c\/p\u003e\n\u003cp\u003eSimon Maurer\u003c\/p\u003e\n\u003cp\u003eRené Ammann and Sibylle Berg\u003c\/p\u003e\n\u003cp\u003eDavid Bosshart\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eGerman\u003c\/p\u003e\n\u003cp\u003eISBN: 3-907064-02-X\u003c\/p\u003e\n\u003cp\u003e1998\u003c\/p\u003e\n\u003cp\u003e88 pages\u003c\/p\u003e\n\u003cp\u003eIllustrations: b\/w\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161288450099,"sku":"","price":25.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/Unknown-2.jpg?v=1783337072"},{"product_id":"internationale-neue-kunst-aus-der-sammlung-des-mgb","title":"INTERNATIONAL NEW ART FROM THE MGB COLLECTION 1977–1984","description":"\u003cp\u003eAuthor(s)\u003c\/p\u003e\n\u003cp\u003eFelix Baumann\u003c\/p\u003e\n\u003cp\u003ePierre Arnold\u003c\/p\u003e\n\u003cp\u003eArina Kowner\u003c\/p\u003e\n\u003cp\u003eChristel Sauer\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eGerman \/ French \/ English\u003c\/p\u003e\n\u003cp\u003eISBN 3-7192-0008-8\u003c\/p\u003e\n\u003cp\u003e118 pages\u003c\/p\u003e\n\u003cp\u003eIllustrations: color, b\/w\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161288482867,"sku":"","price":30.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/Unknown-3.jpg?v=1783341601"},{"product_id":"its-time-for-action","title":" IT'S TIME FOR ACTION (THERE'S NO OPTION): ABOUT FEMINISM ","description":"\u003cp\u003eBased on the exhibition of the same name at the Migros Museum for Contemporary Art, this book focuses on confident, non-conformist feminist positions and demonstrates the need for new role models and strategies within contemporary feminist discourse.\u003c\/p\u003e\n\u003cp\u003eIn her essay, Amelia Jones questions the notion of post-feminism and develops, through the work of Pipilotti Rist, a model of parafeminism. Referring to Mary Beth Edelson and Annie Sprinkle, Maria Elena Buszek compares two generations of feminist artists and their respective strategies, while Katy Deepwell examines the role of women artists in art history. Mercedes Bunz considers feminism in relation to new capitalism and identifies emerging forms of oppression. The exhibition’s curator, Heike Munder, provides an overview of the featured artistic positions and opens a discussion on new role models.\u003c\/p\u003e\n\u003cp\u003eWith contributions by Anat Ben-David, Patty Chang, Mary Beth Edelson, Cosey Fanni Tutti, Manon, Yoko Ono, Pipilotti Rist, Katharina Sieverding, Annie Sprinkle, Mathilde ter Heijne, and others.\u003c\/p\u003e\n\u003cp\u003eEditor\u003cbr\u003eHeike Munder\u003c\/p\u003e\n\u003cp\u003eAuthor(s)\u003cbr\u003eMercedes Bunz\u003cbr\u003eMaria Elena Buszek\u003cbr\u003eKaty Deepwell\u003cbr\u003eAmelia Jones\u003c\/p\u003e\n\u003cp\u003eGerman \/ English\u003cbr\u003eISBN: 978-3-905770-53-7\u003cbr\u003eJanuary 2008\u003cbr\u003eSoftcover, 145 × 230 mm\u003cbr\u003e320 pages\u003cbr\u003eIllustrations: 60 colour, 20 b\/w\u003c\/p\u003e\n\u003cp\u003ePublished by JRP|Ringier.\u003c\/p\u003e\n\u003cstyle\u003e\na {\n    text-decoration: none;\n    color: #464feb;\n}\ntr th, tr td {\n    border: 1px solid #e6e6e6;\n}\ntr th {\n    background-color: #f5f5f5;\n}\n\u003c\/style\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161289039923,"sku":"","price":45.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/BC_action_01_11c8a027a6cfc68aa6f6aebe78c41f54.jpg?v=1783337422"},{"product_id":"lets-be-friends","title":"LET'S BE FRIENDS","description":"\u003cp\u003eA reference work on the exhibitions and collection activities of the migros museum's first five years.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eEditor\u003cbr\u003eRein Wolfs\u003cbr\u003e\u003cbr\u003eAuthor(s)\u003cbr\u003eRein Wolfs\u003cbr\u003eGianni Jetzer\u003cbr\u003e\u003cbr\u003eGerman\u003cbr\u003eISBN 3-907064-10-0\u003cbr\u003e2001\u003cbr\u003e260 pages\u003cbr\u003eIllustrations: color\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161289072691,"sku":"","price":45.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/Unknown-6_f9a30583-7d94-4946-8f52-770168a9c655.jpg?v=1783339603"},{"product_id":"next-flag","title":"NEXT FLAG: THE AFRICAN SNIPER READER AN ANTHOLOGY","description":"\u003cstyle\u003e\na {\n    text-decoration: none;\n    color: #464feb;\n}\ntr th, tr td {\n    border: 1px solid #e6e6e6;\n}\ntr th {\n    background-color: #f5f5f5;\n}\n\u003c\/style\u003e\n\u003cdiv\u003e\n\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAt the beginning of the 20th century, the Dadaist and Surrealist movements brought about aesthetic revolutions. The poet Léopold Sédar Senghor coined the term \"guerrillas entrenched behind the enemy lines\" for their strategic approach - those who, as an avant-garde, initiate a new world order on unsecured territory. The initiators of \"NEXT FLAG – an african sniper project for european spaces\" use this image of Senghor's guerrillas to express their desire for a new artistic and social space. The fact that the initiators are Africans can be traced back to the concept of historical materialism coined by Marx. This states that changes in circumstances cannot come from those who have benefited from the contradictions of this world. NEXT FLAG aims to present contemporary African art in European exhibition spaces in an act of post-postcolonial occupation. The project thus attempts to bring together existing contradictions under a new – the next – flag; not in the sense of a unification, but as the establishment of a new emotional geography detached from physical realities.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEditors\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFernando Alvim\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHeike Munder\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eUlf Wuggenig\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAuthor(s)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFernando Alvim\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNicolas Bourriaud\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDaniel Buren\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLoulou Cherinet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eKendell Geers\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHeike Munder\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSimon Njami\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOlu Oguibe\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCatherine Sullivan\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eUlf Wuggenig\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGerman edition\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN: 978-3-905701-21-0\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eJuly 2005\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHardcover, 170 x 235 mm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e184 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIllustrations: 90 color\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublished by JRP|Ringier in collaboration with the Institute for Cultural Theory of the University of Lüneburg.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161289170995,"sku":"","price":45.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/Unknown-4_7784b3bd-8d16-4cbb-b8cc-5053e0728599.jpg?v=1783340982"},{"product_id":"now-tomorrow-flux","title":"NOW-TOMORROW-FLUX. AN ANTHOLOGY ON THE MUSEUM OF CONTEMPORARY ART, 2017","description":"\u003cp\u003e\u003cspan\u003eMuseums of contemporary art—as they have been established during the last thirty years—request a re-thinking of the category “museum”. The historic notion with its traditional core tasks of collecting and conserving stands in contrast to the term of the contemporary. This volume reflects from different perspectives upon the museum of contemporary art itself in its paradox characteristics. In four chapters, structured by three theoretical essays and a part dedicated to Conversations, each chapter addresses questions regarding the roles and tasks of the museum of contemporary art. The anthology discusses the museum of contemporary arts double character as site of production as well as conservation and emphasizes its relation to different public spheres and its prospective ways of dealing with standards, norms and, regulations which emerge with the museums practices of collecting, arranging and educating.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe publication is edited by Beatrice von Bismarck, Heike Munder and Peter J. Schneemann, with contributions from the art historians and cultural experts Claire Bishop, Büro trafo.K, Martha Buskirk, Beatriz Colomina, Bettina Funcke, Christian Kravagna, Oliver Marchart, Donald Preziosi, Sophia Prinz, Beat Wyss, and Artur Zmijewski. Conversation parts involve different protagonists from the art field as Sepake Angiama, Karla Black, Zachary Bowman, Bruna Casagrande, Yilmaz Dziewior, Kate Fowle, Andrea Fraser, Raphael Gygax, Francesca von Habsburg, Philipp Kaiser, Heike Munder, Alena Nawrotzki, Lars Nittve, Bernadett Settele, Wolfgang Ullrich, Judith Welter, and Nadia Schneider Willen.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublished by JRP|Ringier with the Migros Museum für Gegenwartskunst, Zurich, the Institute of Art History, University of Berne and the Academy of Visual Arts Leipzig.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEdited by\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBeatrice von Bismarck\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHeike Munder\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePeter J. Schneemann\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAuthor(s)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eClaire Bishop\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBüro trafo.K\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMartha Buskirk\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBeatriz Colomina\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBettina Funcke\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eChristian Kravagna\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOliver Marchart\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDonald Preziosi\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSophia Prinz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBeat Wyss\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eArtur Zmijewski\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSimone Miller\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN 978-3-03764-367-9\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJanuary 2016\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSoftcover, 160x230mm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e280 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eImages: 28 color, 23 sw\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesign: Nicolas Eigenheer, Nicolas Leuba\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePublished by JRP|Ringier\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161289236531,"sku":"","price":38.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/Kat_Ausst_2016_NowTomorrowFlux_Page_01.jpg?v=1783003113"},{"product_id":"oekonomien-der-zeit","title":"ECONOMIES OF TIME, 2002","description":"\u003cp\u003eEditors: Hans-Christian Dany, Astrid Wege\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eAuthor(s)\u003c\/p\u003e\n\u003cp\u003eHans-Christian Dany\u003c\/p\u003e\n\u003cp\u003eAstrid Wege\u003c\/p\u003e\n\u003cp\u003eTom Holert\u003c\/p\u003e\n\u003cp\u003eBarbara Hess\u003c\/p\u003e\n\u003cp\u003eMarjorie Jongbloed\u003c\/p\u003e\n\u003cp\u003eAntonio Negri\u003c\/p\u003e\n\u003cp\u003eSabeth Buchmann\u003c\/p\u003e\n\u003cp\u003eJosef Strau\u003c\/p\u003e\n\u003cp\u003eGunnar Reski\u003c\/p\u003e\n\u003cp\u003eand others\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eGerman\u003c\/p\u003e\n\u003cp\u003eISBN 3-934823-52-1\u003c\/p\u003e\n\u003cp\u003e2002\u003c\/p\u003e\n\u003cp\u003e365 pages\u003c\/p\u003e\n\u003cp\u003eillustrations b\/w\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161289269299,"sku":"","price":45.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/Unknown-1_f8ea296f-1bf0-4de8-b406-0ea6f7f30145.jpg?v=1783003019"},{"product_id":"peace","title":"PEACE, 1999","description":"\u003cp\u003eEditor\u003c\/p\u003e\n\u003cp\u003eRein Wolfs\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eAuthor(s)\u003c\/p\u003e\n\u003cp\u003eGavin Brown\u003c\/p\u003e\n\u003cp\u003eDominik Imseng\u003c\/p\u003e\n\u003cp\u003eGianni Jetzer\u003c\/p\u003e\n\u003cp\u003eRosa Martinez\u003c\/p\u003e\n\u003cp\u003eRainer Wilkens\u003c\/p\u003e\n\u003cp\u003eRein Wolfs\u003c\/p\u003e\n\u003cp\u003e+ an interview by John Geirland with Mihaly Csikzentmihaly\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eGerman \/ English\u003c\/p\u003e\n\u003cp\u003eISBN: 3-907064-09-7\u003c\/p\u003e\n\u003cp\u003e1999\u003c\/p\u003e\n\u003cp\u003e202 pages\u003c\/p\u003e\n\u003cp\u003eIllustrations: colour\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161289334835,"sku":"","price":40.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/peace.jpg?v=1783000443"},{"product_id":"re-visionen-des-displays","title":"RE-VISIONS OF THE DISPLAY. EXHIBITION SCENARIOS, THEIR READINGS AND THEIR AUDIENCE","description":"\u003cp\u003eThis anthology of international contributions discusses contexts of exhibition practice and is aimed at interested readers and cultural professionals from various areas of exhibition production. The focus is on an examination of the exhibition display, which is not only regarded as the design of the \"surface\" and of impression, but as a meaning-making element among others, as part of a media network in which all elements contribute consciously or unconsciously to the production of meanings. Exhibiting is analyzed as a cultural practice that conveys values and norms – and thus implicitly ideological concepts. The inclusion of the display in a critical \"reading\" of exhibitions makes it possible to make previously overlooked relationships visible, be they relationships between object and space, text and image, wayfinding and audience, or information and emotional appeal. Further topics include sensory overload and participation, staging and resistant reception, media of mediation and information, as well as the ennoblement and contextualization of exhibition objects.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eEditors\u003cbr\u003eJennifer John\u003cbr\u003eDorothee Richter\u003cbr\u003eSigrid Schade\u003cbr\u003e\u003cbr\u003eAuthor(s)\u003cbr\u003eElena Filipovic\u003cbr\u003eDorothee Richter\u003cbr\u003eStefan Römer\u003cbr\u003eBeatrice von Bismarck\u003cbr\u003eAxel John Wieder\u003cbr\u003e\u003cbr\u003eGerman\u003cbr\u003eJanuary 2009\u003cbr\u003eISBN: 978-3-03764-001-2\u003cbr\u003eSoftcover, 160 x 230 mm\u003cbr\u003e224 pages\u003cbr\u003eIllustrations: 60 b\/w\u003cbr\u003e\u003cbr\u003ePublished in cooperation with the Institute for Cultural Studies in the Arts, Zurich University of the Arts; Postgraduate Program in Curating, ICS, ZHdK and JRP|Ringier.\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161289859123,"sku":"","price":32.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/Bildschirmfoto-2022-10-04-um-10.11.11_2022-10-04-082929_ucwd_11c8a027a6cfc68aa6f6aebe78c41f54.png?v=1782998022"},{"product_id":"resistance-performed","title":"RESISTANCE PERFORMED. AN ANTHOLOGY ON AESTHETIC STRATEGIES IN LATIN AMERICA, 2015","description":"\u003cp\u003e\u003cem\u003eResistance Performed. An Anthology on Aesthetic Srategies in Latin America\u003c\/em\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003epresents stratagems artists devised to articulate dissent. The focus is on historic positions from Argentina, Brazil, Chile, Colombia, Peru, and Uruguay since the late 1960s that bear witness to how oppositionists worked—and often risked their lives—to offer resistance to Latin America’s repressive political systems. The anthology highlights strategies of linguistic self-empowerment in the formats of performance art, interventions, and actions as practices of resistance. These pieces are presented in dialogue with works by contemporary artists from Central and South America who address the repercussions and lingering effects of dictatorial regimes.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eEdited by\u003cbr\u003eHeike Munder\u003cbr\u003eRaphael Gygax\u003cbr\u003e\u003cbr\u003eAuthors\u003cbr\u003eRodrigo Alonso\u003cbr\u003eMiguel A. López\u003cbr\u003eHeike Munder\u003cbr\u003eNelly Richard\u003cbr\u003eCristiana Tejo\u003cbr\u003e\u003cbr\u003eEnglish\u003cbr\u003eISBN: 978-3-03764-446-1\u003cbr\u003eNovember 2015\u003cbr\u003eSoftcover, 208 x 275 mm\u003cbr\u003e220 pages\u003cbr\u003eImages 205 b\/w\u003cbr\u003eDesign: Studio Marie Lusa\u003cbr\u003ePublished by JRP|Ringier\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161290022963,"sku":"","price":58.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/Kat_Ausst_2015_ResistancePerformed_Leseprobe_Seite_01.jpg?v=1782997494"},{"product_id":"an-anthology-on","title":"Sacré 101. An Anthology on \"The Rite of Spring\"","description":"\u003cp\u003e\u003cspan\u003eWith the exhibition project\u0026nbsp;\u003c\/span\u003e\u003ci\u003eSacré 101\u003c\/i\u003e\u003cspan\u003e\u0026nbsp;the Migros Museum für Gegenwartskunst traces the interplay between dance and the visual arts in a sustained engagement with the ballet\u0026nbsp;\u003c\/span\u003e\u003ci\u003eLe Sacre du printemps\u003c\/i\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003ci\u003e(The Rite of Spring).\u003c\/i\u003e\u003cspan\u003e\u0026nbsp;The exhibition is accompanied by a JRP|Ringier catalogue published in cooperation with the Center for Movement Research at the Free University of Berlin \/ Gabriele Brandstetter including essays by Gabriele Brandstetter, Lynn Garafola, Nicola Gess, Raphael Gygax and Sigrid Weigel.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEditor: Raphael Gygax\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eauthors: \u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003eGabriele Brandstetter, Lynn Garafola, Nicola Gess,\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003ca href=\"https:\/\/www.lespressesdureel.com\/auteur.php?id=3154\"\u003eRaphael Gygax\u003c\/a\u003e, Sigrid Weigel.\u003c\/p\u003e\n\u003cdiv class=\"separationTitre\"\u003e\u0026nbsp;Hardcover, 220 PAGES, deutsch\/englisch\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"separationTitre\"\u003e\u0026nbsp;\u003c\/div\u003e\n\u003cdiv class=\"descrListe\"\u003eISBN\u0026nbsp;:\u0026nbsp;\u003cspan itemprop=\"isbn\"\u003e978-3-03764-368-6\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"descrListe\"\u003e\u003cspan itemprop=\"isbn\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"descrListe\"\u003e\u003cspan itemprop=\"isbn\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"descrListe\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161290055731,"sku":"","price":48.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/Kat_Ausst_2014_Sacre_Seite_01.jpg?v=1782992380"},{"product_id":"sammlung-collection","title":"SAMMLUNG \/ COLLECTION 1978–2008","description":"\u003cp\u003eThe origins of the collection of the migros museum für gegenwartskunst date from the late 1950s, it initiated by the migros founder Gottlieb Duttweiler; and, in the late 1970s, began concentrating on collecting international contemporary art. This publication offers a wide overview focusing on the core pieces of the collection, which consists of around 400 artworks by international and Swiss contemporary artists such as Art \u0026amp; Language, Maurizio Cattelan, Christopher Wool, Katharina Sieverding, Rachel Harrison, Marc Camille Chaimowicz, Christoph Büchel, Paul Thek, and Douglas Gordon.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-us\" data-redactor-span=\"true\"\u003eThe large-scale illustrations are accompanied with texts by writers such as Tom Holert, Tirdad Zolghadr, and Jan Verwoert, reflecting different museums and collection strategies, and referring in particular to the history of the museum which was founded in 1996. Further texts by Philip Ursprung, Heike Munder, and others, outline the main thematic focuses of the collection as political art, participation strategies of the 1990s, glamour and Pop, and the psychological meaning of space and architecture in contemporary art. Short texts by Raphael Gygax, Judith Welter, and Bettina Steinbrügge highlight a selection of specific works and artists in the collection.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eEdited by\u003cbr\u003e\u003c\/strong\u003eHeike Munder\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAuthor(s)\u003c\/strong\u003e\u003cbr\u003eLionel Bovier\u003cbr\u003eDan Fox\u003cbr\u003eRaphael Gygax\u003cbr\u003eTom Holert\u003cbr\u003eHeike Munder\u003cbr\u003eBettina Steinbrügge\u003cbr\u003ePhilip Ursprung\u003cbr\u003eJan Verwoert\u003cbr\u003eAstrid Wege\u003cbr\u003eJudith Welter\u003cbr\u003eTirdad Zolghadr\u003cbr\u003e\u003cbr\u003eEnglish \/ German\u003cbr\u003eISBN: 978-3-905829-42-6\u003cbr\u003eMay 2008\u003cbr\u003eHardcover, 240 x 325 mm\u003cbr\u003e356 pages\u003cbr\u003eImages 142 color \/ 411 b\/w\u003cbr\u003e\u003cbr\u003ePublished with JRP Ringier.\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161290416179,"sku":"","price":83.3,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/covermigroscorrectionsGzD.jpg?v=1782991527"},{"product_id":"st-petrischnee","title":"ST. PETRISCHNEE","description":"\u003cp\u003e\u003cspan\u003e“Of all the affairs we participate in, with or without interest, the groping search for a new way of life is the only aspect still impassioning.”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGuy Debord\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“St. Petrischnee” is a variety of positions from the 1960s and 1970s, the age that sought to expand or to move beyond the old rules of art history and of society. Seldom have there been such radical advances, causing older generations so much anxiety and alarm. An entire generation of youth was in upheaval, attacking the fallout of the Cold War, attacking petit-bourgeois hypocrisy and parochialism, attacking nuclear rearmament and the Vietnam war. Subversive strategies were debated and experimented with: the postulation of free love, sit-ins, the peace movement, consumption of mind-expanding drugs, conspiratorial Maoist cells, the politicisation of the working classes, support for guerrilla operations in the Third World, the counter-culture of the communes... For the young, it was all about tolerance, but ultimately the views of individual groups led to divisions, radicalisation of political ideas or to a politically passive party culture.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOut of this mood of upheaval, the young generation sought to escape the dictates of Modernism, and also to break away from Minimal Art, at the time the predominant trend in art. There were already early signs of participatory environments, but these were largely disregarded until some years later.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePublisher:\u0026nbsp;Heike Munder\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cbr\u003eauthor\u003c\/p\u003e\n\u003cp\u003eHeike Munder\u003c\/p\u003e\n\u003cp\u003eartists\u003c\/p\u003e\n\u003cp\u003eTheo Altenberg\u003c\/p\u003e\n\u003cp\u003eMichael Auder\u003c\/p\u003e\n\u003cp\u003eMarc Camille Chaimowicz\u003c\/p\u003e\n\u003cp\u003eYayoi Kusama\u003c\/p\u003e\n\u003cp\u003eManon\u003c\/p\u003e\n\u003cp\u003eGustav Metzger\u003c\/p\u003e\n\u003cp\u003eHélio Oiticica \/ Neville D'Almeida\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eGerman \/ English\u003c\/p\u003e\n\u003cp\u003eISBN 3-936919-22-4\u003c\/p\u003e\n\u003cp\u003e2003,\u0026nbsp;112 pages\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161291006003,"sku":"","price":40.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/CoverEND_MaB_neu.jpg?v=1782989437"},{"product_id":"the-garden-of-forking-paths","title":"THE GARDEN OF FORKING PATHS – AN ANTHOLOGY ABOUT CONTEMPORARY FOLLIES","description":"\u003cp\u003eDuring the summer months 2011, the migros museum für gegenwartskunst sculpture project The Garden of Forking Paths was a guest on the Froh Ussicht estate, owned by the Blum family in Samstagern, Zurich. The project alluded to the Sacro Bosco in Bomarzo (Italy), the enchanted Renaissance garden, which features sculptures shrouded in mystery, and eccentric architecture that over time became overgrown (so-called “follies”). In this context, the invited artists Pablo Bronstein, Liz Craft, Ida Ekblad, Geoffrey Farmer, Kerstin Kartscher, Ragnar Kjartansson, Fabian Marti, Peter Regli and Thiago Rocha Pitta created their own fantastic narratives.\u003cbr\u003eThe anthology for the project enlarges the exhibition by texts that deal with the history of \"follies\", with landscape gardening and the interaction of art and garden. The publication contains a detailed illustration section and contributions by Lars Bang Larsen, Michael Bracewell, Horst Bredekamp, Brian Dillon, Patrick Eyres, Heike Munder, Anthony Vidler and Catherine Wood.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEditor\u003cbr\u003e\u003c\/strong\u003eHeike Munder\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAuthor(s)\u003cbr\u003e\u003c\/strong\u003eLars Bang Larsen\u003cbr\u003eMichael Bracewell\u003cbr\u003eHorst Bredekamp\u003cbr\u003eBrian Dillon\u003cbr\u003ePatrick Eyres\u003cbr\u003eHeike Munder\u003cbr\u003eAnthony Vidler\u003cbr\u003eCatherine Wood\u003cbr\u003e\u003cbr\u003eEnglish \/ German\u003cbr\u003eISBN: 978-3-03764-232-0\u003cbr\u003eSeptember 2011\u003cbr\u003eHardcover, 203 x 278 mm\u003cbr\u003e\u003cbr\u003e248 pages\u003cbr\u003e\u003cbr\u003eImages: 50 color, 70 b\/w\u003cbr\u003e\u003cbr\u003ePublished by JRP|Ringier\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161292349491,"sku":"","price":68.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/Kat_Ausst_2011_Forking_Paths_Seite_01_109082c22785d5f5d6a81364b8bd33eb.jpg?v=1782139179"},{"product_id":"toys-redux-an-anthology-on-play-as-critical-action","title":"TOYS REDUX. AN ANTHOLOGY ON PLAY AS CRITICAL\u0026nbsp;ACTION","description":"\u003cp\u003e\u003cspan\u003eThe group exhibition Toys Redux – On Play and Critique brought together artists who make creative use of formats and imagery from popular culture usually addressed to children or teenagers. Such adoptions and manipulations of motifs from video games, television shows, movies, and cartoons should not be seen as mere pop-cultural quotations: they simultaneously comment on the capitalist production of these consumer worlds. Their pop aesthetic and the promise of an \"innocent\" and playful universe of childlike fantasy contrast with the underlying reality of neoliberal advertising and marketing strategies.\u003cbr\u003e\u003cbr\u003eCory Arcangel – Alex Bag \u0026amp; Patterson Beckwith – Judith Bernstein – Vittorio Brodmann – Marvin Gaye Chetwynd – Simon Denny – Harun Farocki – Jan Peter Hammer – Nic Hess – Danny McDonald – Dawn Mellor – Claus Richter – Tabor Robak – Timur Si-Qin – Michael Smith – Lily van der Stokker – Julia Wachtel – Hannah Weinberger\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eEdited by\u003cbr\u003eRaphael Gygax\u003cbr\u003eHeike Munder\u003cbr\u003eJudith Welter\u003cbr\u003e\u003cbr\u003eAuthor(s)\u003cbr\u003eEsther Buss\u003cbr\u003eAlexander R. Galloway\u003cbr\u003eRaphael Gygax\u003cbr\u003eHans Ulrich Reck\u003cbr\u003eJudith Welter\u003cbr\u003e\u003cbr\u003eEnglish \/ German\u003cbr\u003eISBN: 978-3-03764-424-9\u003cbr\u003e\u003cbr\u003eJune 2015\u003cbr\u003eHardcover, 175 x 235 mm\u003cbr\u003e264 pages\u003cbr\u003eImages: 37 color\/ 15 b\/w\u003cbr\u003eDesign: Studio Marie Lusa\u003cbr\u003e\u003cbr\u003ePublished by JRP|Ringier\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161292841011,"sku":"","price":48.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/Kat_Ausst_2015_ToysRedux_Seite_01.jpg?v=1780416488"},{"product_id":"when-humour-becomes-painful","title":"WHEN HUMOUR BECOMES PAINFUL","description":"\u003cp\u003eThis book is about\u0026nbsp;art and humor. For many years, artists have used jokes, surprises, and unusual ideas in their work. They do not only want to make people laugh — they also want to make them think.\u003c\/p\u003e\n\u003cp\u003eThe book was created alongside an exhibition with the same title. It shows artworks that play with the ways humor works. Some pieces are funny, some are strange, and some are a little cheeky. In this way, art can surprise us and change how we see the world.\u003c\/p\u003e\n\u003cp\u003eMany well-known artists are included in this book. Their works show that humor in art can be more than just fun — it can also be smart, bold, and critical.\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003eEdited by Felicity Lunn and Heike Munder,\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003eTexts by Simon Critchley, Felicity Lunn, Heike Munder, and Slavoj Žižek\u003c\/p\u003e\n\u003cp\u003eLanguages: German \/ EnglishPublished in October 2005\u003c\/p\u003e\n\u003cp\u003e240 pages with 120 color illustrations\u003c\/p\u003e\n\u003cp\u003ePublisher: JRP|Ringier\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161293561907,"sku":"","price":45.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/BC_humour_01.jpg?v=1780416104"},{"product_id":"zeitgenoessische-kunst-aus-der-sammlung-des-mgb","title":"ZEITGENÖSSISCHE KUNST AUS DER SAMMLUNG DES MGB","description":"\u003cp\u003eAuthor(s)\u003c\/p\u003e\n\u003cp\u003eArina Kowner\u003c\/p\u003e\n\u003cp\u003eMarco Franciolli\u003c\/p\u003e\n\u003cp\u003eRein Wolfs\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eGerman \/ French \/ Italian \/ English\u003c\/p\u003e\n\u003cp\u003e1994\u003c\/p\u003e\n\u003cp\u003e159 pages\u003c\/p\u003e\n\u003cp\u003eImages color\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161293922355,"sku":"","price":40.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/Unknown-7.jpg?v=1783343575"},{"product_id":"lily-van-der-stokker","title":"LILY VAN DER STOKKER: FRIENDLY GOOD","description":"\u003cp\u003eLily van der Stokker (b. Den Bosch, Netherlands, 1954) rose to renown in the early 1990s with playful wall paintings in bright colors. Floral motifs and ornamental clouds are dominant motifs in works whose aesthetic and fluorescent palette bring pop art to mind. Integrated text fragments or affirmative messages such as “Friendly Good,” “Wonderful,” or “Hoi” often directly address the viewer. Technically simple yet meticulously executed in a time-consuming and labor-intensive process, the murals are based on small-format drawings the artist prepares with scrupulous precision. Recurrent concerns in her art revolve around the stereotype of “femininity,” ostensible banalities, but also the economics of art and everyday life or the artist’s existence. In this sense, her work also reads as a challenge to a conventional bourgeois conception of art. Picking up on the mundane and ordinary as fuel for her production of affects, it gestures toward a larger sociopolitical context.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eAuthors\u003c\/p\u003e\n\u003cp\u003eLeontine Coelewij, Dr. Raphael Gygax, Lily van der Stokker\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eEnglish, German\u003c\/p\u003e\n\u003cp\u003eISBN: 978-94-928-1135-6\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eSoftcover, 24 x 30.5 cm\u003c\/p\u003e\n\u003cp\u003e224 pages\u003c\/p\u003e\n\u003cp\u003eDesign: Roger Willems\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003ePublished by Roma Publications, 2018\u003c\/p\u003e\n\u003cp\u003eIn cooperation with Stedelijk Museum Amsterdam\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161293955123,"sku":"","price":48.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/Kat_Ausst_2019_Stokker-001_109082c22785d5f5d6a81364b8bd33eb.jpg?v=1779195792"},{"product_id":"alex-bag","title":"ALEX BAG, 2011","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSince the mid 1990s, Alex Bag (*1969, lives and works in New York) has been one of the most interesting protagonists of video performance, and she is regarded as a vital reference point by an entire generation of younger artists such as Cory Arcangel and Shana Moulton. She became known for her technically simple video performances, in which she humorously took on and exploited TV culture and its most varied formats, as well as the art system and its romantic (artist) conceptions. With convincing precision, Bag cultivated a profound critique of the market system and society, and often appeared herself, as an extraordinarily agile and transformable actor taking on a multitude of roles. In the video that brought her to attention, \"Untitled Fall '95\" (1995), she played an art student who, as though in a video diary, depicted her desires and hopes as an artist and in her everyday schooling. In other videos she has frequently investigated the advertising structures in network TV (as in \"Coven Services,\" 2004), or diverse TV genres and formats (as in \"Fancy Pantz,\" 1997, and \"Gladia Daters,\" 2005). Elements from advertising, film, and music videos, documentary and reality TV flow into her artistic work, which persistently generate a major critique of today's neoliberal societal structures.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis publication is the first monograph about Alex Bag's influential work, and includes texts by Raphael Gygax, Bruce Hainley, and Glenn Phillips, and a glossary of Alex Bag's answers from interviews; a complete videography with transcripts, scripts, and stills, as well as ephemera, reference material, photographs, and Alex Bag's \"typewriter prose.\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEdited by\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRaphael Gygax\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHeike Munder\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAuthors\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRaphael Gygax\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBruce Hainley\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGlenn Phillips\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEnglish \/ German\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN: 978-3-03764-220-7\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMay 2011\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHardcover, 175 x 235 mm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e230 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eImages 158 color \/ 21 b\/w\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublished by JRP|Ringier\u003c\/span\u003e\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161294217267,"sku":"","price":48.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/Kat_Ausst_2012_Bag_Seite_01.jpg?v=1779115954"},{"product_id":"art-language-homes-for-homes","title":"ART \u0026amp; LANGUAGE: HOMES FROM HOMES II","description":"\u003cheader class=\"js-vueContainer pageHeader\"\u003e\n\u003cdiv class=\"pageHeader-grid\"\u003e\n\u003cdiv class=\"pageHeader-column2\"\u003e\u003cnav class=\"pageHeader-nav\"\u003e\n\u003cul class=\"pageHeader-navList\"\u003e\u003c\/ul\u003e\n\u003c\/nav\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"pageContent\" id=\"js-barbaWrapper\"\u003e\u003cmain data-namespace=\"product\" class=\"js-barbaContainer barbaContainer\"\u003e\n\u003cdiv class=\"js-vueContainer product\"\u003e\n\u003cdiv class=\"narrowContainer\"\u003e\n\u003cdiv class=\"narrowContainer-inner\"\u003e\n\u003cdiv class=\"product-description formatedText\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArt \u0026amp; Language is the name of a group of English artists who choose to work collectively, and the title of a magazine that they founded in 1968. Proposing a critical analysis of the relations between art, society, and politics, Art \u0026amp; Language marks, even in its name, the importance of the \"textual turning point\" in the 1960s. Since 1976, Art \u0026amp; Language’s project has continued, through Mel Ramsden and Michael Baldwin, with the literary and theoretical collaboration of Charles Harrison. Working with very varied mediums, from painting to rock, these co-founders of Conceptual art remain, even today, attached to observing the consequences of what they themselves call the \"depressing collapse of modernism.\" This publication is built around an important installation \"Homes from Homes 2\" (2000–2001), which simultaneously references the development of Art \u0026amp; Language's work over the decades and the collection of the Migros Museum für Gegenwartskunst in Zurich, in which it is now included. Each element of the installation is described, annotated, and put in the context of aesthetic, theoretical, and political problematics through extended captions and essays by the artists. Designed by NORM in close collaboration with the artists.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEdited by\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHeike Munder\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAuthor(s)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMichael Baldwin\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCharles Harrison\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMel Ramsden\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEnglish edition\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN: 978-3-905701-56-2\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMarch 2006\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHardcover, 165 x 235 mm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e272 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eImages: 77 color\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePubished by JRP|Ringier\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/main\u003e\u003c\/div\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161294446643,"sku":"","price":45.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/BC_al_11c8a027a6cfc68aa6f6aebe78c41f54.jpg?v=1779115192"},{"product_id":"carey-young","title":"CAREY YOUNG: SUBJECT TO CONTRACT, 2013","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCarey Young (b. 1970, lives and works in London) uses a variety of media to explore the relationships between the body, language, rhetoric, and systems of power. The show is the first to focus on her body of work which engages with law, and includes a number of new commissions as well as various earlier works. Young’s law-based works address the monolithic power of the legal system. The artist examines law as a conceptual and abstract space in which power, rights, and authority are played out through varying forms of performance and language. Her works often take the form of experimental but functional legal instruments such as contracts, and also employ media such as video, installation, and text. The works in the show call law’s authority into question and create slippages in the law by playfully adopting, as well as disrupting, its forms and methods and by highlighting its gaps, ambiguities, and subjectivities.\u003cbr\u003eIn conjunction with the exhibition at the Migros Museum für Gegenwartskunst, an extensive monograph surveying Young’s oeuvre and including contributions by the artist, Martha Buskirk, Raphael Gygax, and Tirdad Zolghadr has been published by JRP|Ringier.\u003cbr\u003e\u003cbr\u003eEdited by\u003cbr\u003eHeike Munder\u003cbr\u003eRaphael Gygax\u003cbr\u003e\u003cbr\u003eAuthor(s)\u003cbr\u003eMartha Buskirk\u003cbr\u003eRaphael Gygax\u003cbr\u003eCarey Young\u003cbr\u003eTirdad Zolghadr\u003cbr\u003e\u003cbr\u003eGerman \/ English\u003cbr\u003e\u003cbr\u003eISBN: 978-3-03764-315-0\u003cbr\u003eAugust 2013\u003cbr\u003eSoftcover, 201 x 272 mm\u003cbr\u003e184 pages\u003cbr\u003eImages: 79 color \/ 5 b\/w\u003cbr\u003e\u003cbr\u003ePublished by JRP|Ringier\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161294512179,"sku":"","price":56.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/Kat_Ausst_2014_Young_Seite_01_11c8a027a6cfc68aa6f6aebe78c41f54.jpg?v=1779114726"},{"product_id":"cathy-wilkes","title":"CATHY WILKES: WHOP WHOP WHOP, 2002","description":"\u003cp\u003eEdited by\u003c\/p\u003e\n\u003cp\u003eHeike Munder\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eAuthor\u003c\/p\u003e\n\u003cp\u003eHeike Munder\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eGerman \/ Englisch\u003c\/p\u003e\n\u003cp\u003eISBN: 3-936919-10-0\u003c\/p\u003e\n\u003cp\u003e2002\u003c\/p\u003e\n\u003cp\u003eIllustrations: coloured\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161294708787,"sku":"","price":30.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/WILKES.jpg?v=1782988950"},{"product_id":"christine-hill","title":"CHRISTINE HILL: VOLKSBOUTIQUE, 2003","description":"\u003cp\u003eEdited by\u003c\/p\u003e\n\u003cp\u003eHeike Munder\u003c\/p\u003e\n\u003cp\u003eRein Wolfs\u003c\/p\u003e\n\u003cp\u003eDoris Berger\u003c\/p\u003e\n\u003cp\u003eBarbara Steiner\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eAuthor(s)\u003c\/p\u003e\n\u003cp\u003eDoris Berger\u003c\/p\u003e\n\u003cp\u003eChristine Hill\u003c\/p\u003e\n\u003cp\u003eLucy R. Lippard\u003c\/p\u003e\n\u003cp\u003eBarbara Steiner\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eEnglish \/ German\u003c\/p\u003e\n\u003cp\u003eISBN: 3-7757-1278-X\u003c\/p\u003e\n\u003cp\u003e2003\u003c\/p\u003e\n\u003cp\u003e240 pages\u003c\/p\u003e\n\u003cp\u003eImages color\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161294905395,"sku":"","price":42.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/M0377571278X-440px-2.webp?v=1779113333"},{"product_id":"christoph-ruckhaeberle","title":"CHRISTOPH RUCKHÄBERLE: FIGUR, 2009","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe publication presents new works by painter Christoph Ruckhäberle (born 1972 in Pfaffenhofen, lives and works in Leipzig). The visual world of Ruckhäberle, who studied animated film at the California Institute of the Arts before attending the Academy of Visual Arts in Leipzig, is peopled by odd, hard-edged figures standing in front of colored rhythmic backgrounds. Colorful drawings of faces recall carved masks, and are composed from a rich and playful vocabulary of forms. These forms, and the wealth of colors in Ruckhäberle's works, are broken not only by skewed visual angles or perspectival inconsistencies, but also through the use of Cubist borrowings. The book assembles linocuts and offset pages held together by a Japanese binding. Beautifully produced, this artist's book is published in a limited print run.\u003cbr\u003e\u003cbr\u003eEdited by\u003cbr\u003eHeike Munder\u003cbr\u003e\u003cbr\u003eAuthor(s)\u003cbr\u003eHeike Munder\u003cbr\u003e\u003cbr\u003eArtist's book\u003cbr\u003eEnglish \/ German\u003cbr\u003eISBN: 978-3-03764-055-5\u003cbr\u003eJune 2009\u003cbr\u003eSoftcover, 170 x 240 mm\u003cbr\u003e158 pages\u003cbr\u003eImages 102 color \/ 38 b\/w\u003cbr\u003e\u003cbr\u003ePublished by JRP|Ringier\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161295069235,"sku":"","price":48.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/Kat_Ausst_2009_Ruckhaeberle_Seite_01_109082c22785d5f5d6a81364b8bd33eb.jpg?v=1779112753"},{"product_id":"costa-vece","title":"COSTA VECE: WORKS FROM 1992–2002, 2002","description":"\u003cp\u003eEdited by\u0026nbsp;Rein Wolfs\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eAuthor(s)\u003c\/p\u003e\n\u003cp\u003eRein Wolfs\u003c\/p\u003e\n\u003cp\u003eClaudia Spinelli\u003c\/p\u003e\n\u003cp\u003eJacqueline Zünd\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eEnglish \/ German\u003c\/p\u003e\n\u003cp\u003eISBN: 3-908617-15-4\u003c\/p\u003e\n\u003cp\u003e2002\u003c\/p\u003e\n\u003cp\u003e129 pages\u003c\/p\u003e\n\u003cp\u003eImages color\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161295200307,"sku":"","price":42.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/12296.jpg?v=1779111698"},{"product_id":"dawn-mellor","title":"DAWN MELLOR, 2008","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIn her paintings and drawings, Dawn Mellor (born 1970, UK) uses black humour to deconstruct the cult of the star (which appears to have been chosen in our society as a substitute for religion) and its believer–the fan. The majority of female protagonists in her works are music icons such as Madonna, Courtney Love or Britney Spears, but there are also appearances by film actresses and figures such as Audrey Hepburn, Dorothy from The Wizard of Oz (alias Judy Garland), or \"glamourous\" politicians such as Hilary Clinton or Condoleezza Rice. All are subordinated to new narrative contextualization and equipped with new symbolisms and iconographies. The painting style Mellor uses refers simultaneously to Surrealism, the colorfulness of Pop art and the underground trashiness of a Joe Coleman. The artist functions as a link, by drawing out a fictive role–whether she plays a lovelorn, a sadistic voyeur, a pathological pornographer, or a murderous stalker. Through these self-attributed \"painting\" roles Mellor explores the moral codes communicated through mass entertainment.\u003cbr\u003e\u003cbr\u003eEdited by\u003cbr\u003eHeike Munder\u003cbr\u003eRaphael Gygax\u003cbr\u003e\u003cbr\u003eAuthor(s)\u003cbr\u003eRaphael Gygax\u003cbr\u003eDawn Mellor\u003cbr\u003e\u003cbr\u003eGerman \/ English\u003cbr\u003eISBN: 978-3-905829-98-3\u003cbr\u003e\u003cbr\u003eNovember 2008\u003cbr\u003eHardcover, 215 x 291 mm\u003cbr\u003e64 pages\u003cbr\u003eImages 28 color, 2 b\/w\u003cbr\u003e\u003cbr\u003ePublished by JRP|Ringier\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161295233075,"sku":"","price":38.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/Kat_Ausst_2008_Mellor-001_109082c22785d5f5d6a81364b8bd33eb-1.jpg?v=1779109932"},{"product_id":"florian-germann","title":"FLORIAN GERMANN, 2012","description":"\u003cp\u003e\u003cspan\u003eIn his wide-ranging cycles of works, each of which is devoted to a unifying thematic narrative, the Swiss artist Florian Germann (b. 1978; lives and works in Zurich) creates complex systems of reference, playing with the role of the artist-researcher as he approaches fields as diverse as culture, science, and nature. Most of his works look like hybrids between physical instruments and modernist sculptures, suggesting experimental arrangements whose overarching meaning emerges only gradually. Germann’s works often set out from historic figures and mythological and fantastic motifs he subjects to a revisionary rewriting, interweaving factual and fictional aspects. For his first solo exhibition at an institution, Germann has created an extensive new cycle of works; publicly displayed for the first time at the migros museum für gegenwartskunst, it is based on his study of “apparitions” and their physical substance, the so-called ectoplasm. The monograph on Florian Germann’s work, published by JRP|Ringier, features essays by Alexandra Blättler and Raphael Gygax as well as a conversation with the artist.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEdited by\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRaphael Gygax\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHeike Munder\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAuthor(s)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAlexandra Blättler\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRaphael Gygax\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEnglish \/ German\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN: 978-3-03764-270-2\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eJanuary 2012\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHardcover, 175 x 235 mm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e148 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eImages: 51 color\/ 30 b\/w\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublished by JRP|Ringier\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161295331379,"sku":"","price":45.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/Kat_Ausst_2011_Germann_Seite_01.jpg?v=1779107180"},{"product_id":"gabriela-fridriksdottir","title":"GABRIELA FRIDRIKSDOTTIR: DUSK, 2008","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe drawings, sculptures, music experiments, and videos of the Icelandic artist Gabriela Fridriksdottir (*1971) create a microcosm with surreal qualities, which is peopled by hybrid and sexually charged creatures who can be read as metaphors for melancholy and excess.\u003cbr\u003eFridriksdottir's video work is distinguished by a fanciful narrative structure, which draws heavily on Norse myths and is notable for its break with rational logic. Her fields of activity, which can be defined in terms of a scientific curiosity in the irrational and mysterious, are reflected at a material level in her sculptures. Her distinctive joy in experimenting with ephemeral materials leans toward on the one hand, the tradition of Dieter Roth who has exercised a great influence on art production in Iceland, and on the other, her mystical interests. Thus, unusual materials such as mud, hay, and bread dough feature in her works alongside more conventional ones such as fur, plaster, and found pieces of wood.\u003cbr\u003e\u003cbr\u003eEdited by\u003cbr\u003eRaphael Gygax\u003cbr\u003eHeike Munder\u003cbr\u003e\u003cbr\u003eAuthor(s)\u003cbr\u003eSibylle Berg\u003cbr\u003eRaphael Gygax\u003cbr\u003eJonas Sen\u003cbr\u003e\u003cbr\u003eEnglish \/ German\u003cbr\u003eISBN: 978-3-905770-51-3\u003cbr\u003eJanuary 2008\u003cbr\u003eHardcover, 200 x 236 mm\u003cbr\u003e164 pages\u003cbr\u003eImages 79 color \/ 29 b\/w\u003cbr\u003e\u003cbr\u003ePublished by JRP|Ringier, designed by M\/M, Paris.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161295364147,"sku":"","price":45.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/dusk_F.jpg?v=1779106922"},{"product_id":"geoffrey-farmer","title":"GEOFFREY FARMER: LET'S MAKE THE WATER TURN BLACK, 2013","description":"\u003cp\u003e\u003cspan\u003eThe artistic practice of Geoffrey Farmer (*1967, Vancouver, BC; lives and works in Vancouver) integrates forms of collecting and scholarship employed by cultural historians, and draws on a diverse repertoire. After extensive research, the artist builds collections that unite aspects of visual art, literature, music, politics, history, and sociology, which crystallize in sprawling theatrical installations.\u003cbr\u003eThis publication, offers a detailed insight in Geoffrey Farmer’s complex installation\u0026nbsp;\u003cem\u003eLet’s Make the Water Turn Black\u003c\/em\u003e, and contextualizes it with his other script-based sculptural and kinetic works since the early 1990s, with contributions by Kathy Noble, Michael Turner, Aram Moshayedi, and Jan Verwoert as well as a preface by the editors.\u003cbr\u003eIn 2012, Geoffrey Farmer contributed his\u0026nbsp;\u003cem\u003eLeaves of Grass\u003c\/em\u003e\u0026nbsp;(2012) to Documenta 13; in 2011, he participated in the 12th International Istanbul Biennial. His work has been on display in numerous solo shows, as well as at REDCAT, Los Angeles, and Casey Kaplan Gallery, New York (both 2011). Farmer also participated in the project\u0026nbsp;\u003cem\u003eThe Garden of Forking Paths\u003c\/em\u003e\u0026nbsp;(2011), initiated by the Migros Museum für Gegenwartskunst.\u003cbr\u003ePublished with Nottingham Contemporary; Kunstverein Hamburg and Pérez Art Museum, Miami.\u003cbr\u003e\u003cbr\u003eEdited by\u003cbr\u003eHeike Munder\u003cbr\u003eAlex Farquharson\u003cbr\u003eBettina Steinbrügge\u003cbr\u003eTobias Ostrander\u003cbr\u003e\u003cbr\u003eAuthors\u003cbr\u003eKathy Noble\u003cbr\u003eMichael Turner\u003cbr\u003eAram Moshayedi\u003cbr\u003eJan Verwoert\u003cbr\u003e\u003cbr\u003eEnglish\u003cbr\u003eISBN: 978-3-03764-343-3\u003cbr\u003eOctober 2013\u003cbr\u003eSoftcover, 212 x 292 mm\u003cbr\u003e104 pages\u003cbr\u003eImages 84 color \/ 7 b\/w\u003cbr\u003e\u003cbr\u003ePublished by JRP|Ringier\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161295396915,"sku":"","price":48.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/Kat_Ausst_2014_Farmer_Seite_01.jpg?v=1779105940"},{"product_id":"gianni-motti","title":"GIANNI MOTTI, 2005","description":"\u003cp\u003e\u003cspan\u003eGianni Motti (*1958) has celebrated his own funeral, masqueraded as a professional soccer player, spoken in the name of the people of Indonesia at the UN Human Rights Convention, claimed responsibility for earthquakes, and repeatedly referred to himself as a kind of terrorist infiltrating a system to implode it from within. The events he subverts, with surgical precision, can be of political, cultural, or social character. The audience and its horizon of expectation are not to be pandered to – Gianni Motti does not see himself as an artist who partakes in the culture of spectacle like some court jester, but as an activist who unveils the functions of different systems. Gianni Motti’s actions oscillate between the rational and the irrational, between irony and provocation, between rumor and misunderstanding. Which is why Motti’s events are experienced mainly through the narrative and illustrative potential of photographs made by onlookers or the press. This book brings together for the first time a large selection of images and documentation to provide an overview of Motti's actions.\u003cbr\u003e\u003cbr\u003eEdited by\u003cbr\u003eHeike Munder\u003cbr\u003e\u003cbr\u003eEnglish \/ German\u003cbr\u003eISBN: 978-3-905701-10-4\u003cbr\u003eJune 2005\u003cbr\u003eSoftcover, 213 x 290 mm\u003cbr\u003e264 pages\u003cbr\u003eImages 248 b\/w\u003cbr\u003e\u003cbr\u003ePublished by JRP|Ringier\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161295560755,"sku":"","price":45.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/motti.jpg?v=1779105716"},{"product_id":"ian-cheng","title":"IAN CHENG: FORKING AT PERFECTION, 2016","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe work of the American artist Ian Cheng (b. 1984) explores the nature of mutation and the capacity of humans to relate to change. Drawing on principles of video game design, improvisation, and Darwinian brutality, Cheng has developed so-called “live simulations,” living virtual ecosystems that begin with basic programmed properties, but are left to self-evolve without authorial control or end. In his first solo exhibition in Switzerland, Cheng presented two versions of the simulation\u0026nbsp;\u003cem\u003eEmissary Forks At Perfection\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003eEdited by\u003cbr\u003eHeike Munder\u003cbr\u003eRaphael Gygax\u003cbr\u003e\u003cbr\u003eAuthors\u003cbr\u003eFranziska Bigger\u003cbr\u003eIan Cheng\u003cbr\u003eRaphael Gygax\u003cbr\u003e\u003cbr\u003eEnglisch\u003cbr\u003eISBN: 978-3-03764-471-3\u003cbr\u003eJune 2016\u003cbr\u003eHardcover, 173 x 235 mm\u003cbr\u003e140 pages\u003cbr\u003eImages 64 color\u003cbr\u003e\u003cbr\u003ePublished by JRP|Ringier\u003cbr\u003eDesign: Studio Marie Lusa\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161295659059,"sku":"","price":48.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/Kat_Ausst_2016_IanCheng_Page_01.jpg?v=1779101057"},{"product_id":"jimmie-durham","title":"JIMMIE DURHAM: GOD'S CHILDREN, GOD'S POEMS","description":"\u003cp\u003eThe artist, poet, author and political activist Jimmie Durham (b. 1940) began his career in the USA. There, alongside campaigning for the rights of indigenous peoples, he developed a sculptural and performance-based way of working, in which he also addresses ethical issues and nationalist narratives. Durham became internationally famous in the 1980s, especially for his sculptures and installations deconstructing state mythologies. Since moving to Europe in 1994, Durham has been scrutinizing his new geopolitical and cultural-historical surroundings. For the Migros Museum für Gegenwartskunst he realized the project\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cem\u003eGod’s Children, God’s Poems\u003c\/em\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e(2017), which explores the relationship between humans and nature. The artist turns the gallery space into the scene of a congregation of fourteen sculptures, made out of the skulls of Europe’s largest animal species, supplemented by materials such as metal, wood, and fabric. Durham’s sculptural assemblages featuring animal skulls reflect his audience’s sometimes stereotypical ideas about nature and society and suggest a possible way to transcend the particularly European classic dichotomies of nature vs. culture and subject vs. object.\u003c\/p\u003e\n\u003cp\u003eEdited by\u003cbr\u003eHeike Munder\u003cbr\u003e\u003cbr\u003eAuthors\u003cbr\u003eJimmie Durham\u003cbr\u003eRichard W. Hill\u003cbr\u003eHeike Munder\u003cbr\u003e\u003cbr\u003eEnglish\u003cbr\u003eISBN: 978-3-03764-471-3\u003cbr\u003eAugust 2017\u003cbr\u003eHardcover, 208 x 275 mm\u003cbr\u003e104 pages\u003cbr\u003eImages 43 color\u003cbr\u003e\u003cbr\u003ePublished by JRP|Ringier\u003cbr\u003eDesign: Studio Marie Lusa\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161295888435,"sku":"","price":38.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/durhamcover1_2022-10-04-075452_kwcd_109082c22785d5f5d6a81364b8bd33eb.png?v=1779100672"},{"product_id":"john-baldessari","title":"JOHN BALDESSARI: RMS W VU: WALLPAPER, LAMPS, AND PLANTS. (NEW), 1998","description":"\u003cp\u003eEdited by\u003c\/p\u003e\n\u003cp\u003eRein Wolfs\u003c\/p\u003e\n\u003cp\u003eFrank Hyde-Antwi\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAuthor(s)\u003c\/p\u003e\n\u003cp\u003eJeremy Gilbert-Rolfe\u003c\/p\u003e\n\u003cp\u003eBartomeu Marí\u003c\/p\u003e\n\u003cp\u003eRein Wolfs\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEnglish \/ German\u003c\/p\u003e\n\u003cp\u003eISBN: 3-907064-03-8\u003c\/p\u003e\n\u003cp\u003e1998\u003c\/p\u003e\n\u003cp\u003e70 pages\u003c\/p\u003e\n\u003cp\u003eImages color \/ b\/w\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161295921203,"sku":"","price":45.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/AM-5424.jpg?v=1779096441"},{"product_id":"josephine-meckseper","title":"JOSEPHINE MECKSEPER, 2009","description":"\u003cp\u003eIn her photography, videos, and installations Josephine Meckseper (born in Lilienthal, 1964, lives and works in New York) engages with the interaction between politics and glamour. Thus, in her works, images of political activism—whether photographs of demonstrations or newspaper cuttings—are set against sparkling consumer goods and advertising motifs, evoking a paradoxical effect. On the one hand, the pop-political vocabulary of forms appears absurd in its opposing ideological effect; on the other, the artist discloses references by interpolating them seamlessly in a decorative and apparently elegant display. Meckseper has pursued the capitalist-critique approach of recent years, with subject areas agitating around the war in Iraq and the oil industry, with all their inherent economic and socio-political implications, in particular those concerning the automobile industry. The publication concentrates on a new series of works developed from this context. Hence in the installation \"Ten High\" (2007) numerous silver shop display dummies converge on a mirror smooth platform holding in their hands objects such as signs, bearing anti-war slogans like \"No War in Iran\" or the notorious recession signal \"Going Out of Business\/Sale,\" a whisky bottle or a bible and other classical American \"icons.\" Meckseper's object arrangements recall the window displays of department stores and expensive boutiques, re-contextualising the exhibited objects: the shibboleths are ascribed a new significance—from now on a consumerist lifestyle posture.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdited by\u003cbr\u003eRachel Hooper\u003cbr\u003eGail Kirkpatrick\u003cbr\u003eHeike Munder\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAuthor(s)\u003cbr\u003eRachel Hooper\u003cbr\u003eSylvère Lotringer\u003cbr\u003eHeike Munder\u003cbr\u003e\u003cbr\u003eEnglish \/ German\u003cbr\u003eISBN: 978-3-03764-047-0\u003cbr\u003eJune 2009\u003cbr\u003eHardcover, 215 x 291 mm\u003cbr\u003e114 pages\u003cbr\u003eImages 34 color \/ 13 b\/w\u003cbr\u003e\u003cbr\u003ePublished by JRP|Ringier with Blaffer Gallery, the Art Museum of the University of Houston; and Ausstellungshalle zeitgenössische Kunst Münster.\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161295953971,"sku":"","price":38.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/Kat_Ausst_2009_Meckseper_Seite_01_109082c22785d5f5d6a81364b8bd33eb.jpg?v=1779096102"},{"product_id":"karla-black","title":"KARLA BLACK: IT'S PROOF THAT COUNTS, 2010","description":"\u003cp\u003eThis extensive monograph gives, for the first time, a detailed insight into the work of Scottish artist Karla Black (born 1972 in Alexandria, lives and works in Glasgow). Reflecting the ephemeral nature of her work, the monograph resembles an artist's sketchbook that is still in the process of being used. Plaster, chalk dust, and Vaseline, or substances such as face powder, lipstick, and nail varnish are often the raw materials. These delicate works—whether transparent cellophane arranged sculpturally to hang from the ceiling, or fragile works of gossamer-fine powder sprinkled onto the floor—present references to the Minimal and Conceptual art of the 1960s and 1970s. Karla Black extends the classical notion of sculpture through a process-oriented, performative handling of cultural connotations and untypical materials. Not only does she create an oppositional model to the brute effect of Minimal art, but through the use of unstable and simple substances her work ties into the history of antiform, as defined notably by Robert Morris in his use of felt, or Eva Hesse in her deployment of latex.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdited by\u003cbr\u003eAnnette Hans\u003cbr\u003eHeike Munder\u003cbr\u003ePaul Nesbitt\u003cbr\u003eMichael Stanley\u003cbr\u003e\u003cbr\u003eAuthor(s)\u003cbr\u003eKarla Black\u003cbr\u003eHeike Munder\u003cbr\u003eAnnette Hans\u003cbr\u003ePaul Nesbitt\u003cbr\u003eMichael Stanley\u003cbr\u003e\u003cbr\u003eEnglish \/ German\u003cbr\u003eISBN: 978-3-03764-084-5\u003cbr\u003eMarch 2010\u003cbr\u003eHardcover, 305 x 216 mm\u003cbr\u003e192 pages\u003cbr\u003eImages 291 color\u003cbr\u003e\u003cbr\u003ePublished by JRP|Ringier in collaboration with Kunstverein Hamburg, Modern Art Oxford, and Inverleith House, Royal Botanic Garden, Edinburgh.\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161296216115,"sku":"","price":60.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/Kat_Ausst_2009_Black_Seite_01_11c8a027a6cfc68aa6f6aebe78c41f54_a5a0b8a9-cc93-4ecf-ad8b-29f60dab8839.jpg?v=1779095373"},{"product_id":"laura-lima","title":"LAURA LIMA, 2014","description":"\u003cp\u003eThe artistic practice of Laura Lima (b. 1971) is characterized by her fascination with the complexity of social relations and modes of human behavior. Her scenarios, in which the human body is often the central medium and driving force, combine performative elements with various forms of artistic expression such as drawing, sculpture, and installation. Lima never appears in her pieces herself, instead delegating her dramaturgic specifications to selected protagonists. The Brazilian artist’s first solo exhibition in Switzerland presents the works\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cem\u003eBar Restaurant\u003c\/em\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e(2010\/13) and\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cem\u003eThe Naked Magician\u003c\/em\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e(2008\/10\/13), selected performative installations with a focus on the magical.The accompanying extensive publication includes essays and a talk with the artist that highlight various aspects in Lima's oeuvre.\u003cbr\u003eProduced in collaboration with Bonniers Konsthall, Stockholm.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdited by\u003cbr\u003eHeike Munder\u003cbr\u003eSara Arrhenius\u003cbr\u003e\u003cbr\u003eAuthors\u003cbr\u003eSara Arrhenius\u003cbr\u003eVictoria Noorthoorn\u003cbr\u003eHeike Munder\u003cbr\u003eJochen Volz\u003cbr\u003e\u003cbr\u003eEnglish\u003cbr\u003eISBN: 978-3-03764-344-0\u003cbr\u003eJanuary 2014\u003cbr\u003eSoftcover, 170 x 235 mm\u003cbr\u003e192 pages\u003cbr\u003eImages 224 color\u003cbr\u003e\u003cbr\u003ePublished by JRP|Ringier\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161296412723,"sku":"","price":56.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/Kat_Ausst_2014_Lima_Seite_01.jpg?v=1779094942"},{"product_id":"liz-magor","title":"LIZ MAGOR, 2017","description":"\u003cp\u003eIn her native Canada and beyond, the artist Liz Magor (b. 1948) is regarded as one of the most influential contemporary sculptors; the oeuvre she has built since the 1970s has guided an entire generation of younger artists. Her art investigates the culture of production and value and the associated ambivalent relationship humans have with consumer goods. The retrospective focuses on sculptures and installations the artist created in her studio in Vancouver over the past three decades. Composed of found everyday objects, her allegorical tableaus question idealized notions of nature embedded in modern culture and penetrate the psychology of desire and addiction. From an art-historical perspective, Liz Magor’s decades-long engagement with the world of material things and their resonance has led her to stake out a highly idiosyncratic position. Presented casually, without pedestals, her meticulously finished sculptures are defined by a profoundly affecting physicality. In light of the recent “material turn” in the work of younger artists, but also in the humanities and cultural studies, Magor’s art speaks forcefully to contemporary concerns.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdited by\u003cbr\u003eDan Adler\u003cbr\u003eLesley Johnstone\u003cbr\u003eHeike Munder\u003cbr\u003eBettina Steinbrügge\u003cbr\u003e\u003cbr\u003eAuthor(s)\u003cbr\u003eDan Adler\u003cbr\u003eIan Carr-Harris\u003cbr\u003eGéraldine Gourbe\u003cbr\u003eLesley Johnstone\u003cbr\u003eTrevor Mahovsky\u003cbr\u003eHeike Munder\u003cbr\u003eIsabelle Pauwels\u003cbr\u003eChris Sharp\u003cbr\u003eBettina Steinbrügge\u003cbr\u003eCorin Sworn\u003cbr\u003e\u003cbr\u003eGerman\/ English\u003cbr\u003eISBN 978-3-03764-474-4\u003cbr\u003eJanuary 2017\u003cbr\u003eHardcover, 208x275 mm\u003cbr\u003e256 pages\u003cbr\u003eImages: 200 color\u003cbr\u003eDesign: makara, Marc-André Roy\u003cbr\u003ePublished by JRP|Ringier with the Musée d’art contemporain de Montréal and the Kunstverein Hamburg.\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161296445491,"sku":"","price":58.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/Kat_Ausst_LizMagor_Page_01.jpg?v=1779094798"},{"product_id":"maja-bajevic","title":"MAJA BAJEVIC: POWER, GOVERNANCE, LABOR","description":"\u003cp\u003eThis publication on the French-Bosnian artist Maja Bajevic (b. 1967, Sarajevo, Bosnia-Herzegovina) accompanies her comprehensive exhibition at the Migros Museum für Gegenwartskunst and focuses on her most recent bodies of works. Since the mid-1990s she has explored a wide variety of issues related to globalization and migration, inclusion and exclusion, exploitation, neoliberalism, and the interactions between these notions. Bajevic also consistently investigates her own identity, and the meaning of “home” and what this constitutes. Her oeuvre is part of a tradition in art that deals with social and educational issues, and that wants to shake up the prevailing social consciousness. By bringing together the core of Bajevic’s oeuvre with essays by art historians and curators, this publication reflects on her main artistic strategies and themes, standing as a reference monograph covering the last ten years of her work. The book is divided into three chapters: “Power,” “Governance,” and “Labor,” and includes essays by Barbara Biedermann, Manuel Borja-Villel, Boris Buden, Raphael Gygax, and Ana Janevski.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdited by\u003cbr\u003eHeike Munder\u003cbr\u003eRaphael Gygax\u003cbr\u003e\u003cbr\u003eAuthors\u003cbr\u003eBarbara Biedermann\u003cbr\u003eManuel Borja-Villel\u003cbr\u003eBoris Buden\u003cbr\u003eRaphael Gygax\u003cbr\u003eAna Janevski\u003cbr\u003e\u003cbr\u003eEnglish\/German\u003cbr\u003eISBN: 978-3-03764-497-3\u003cbr\u003eMay 2017\u003cbr\u003eHardcover, 170 x 230 mm\u003cbr\u003e200 pages\u003cbr\u003eImages 200 color\u003cbr\u003e\u003cbr\u003ePublished by JRP|Ringier\u003cbr\u003eDesign: Studio Marie Lusa\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161296478259,"sku":"","price":48.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/Kat_Ausst_2017_MajaBajevic_PowerGovernanceLabor_Page_01.jpg?v=1779094651"},{"product_id":"mark-leckey","title":"MARK LECKEY: 7 WINDMILL STREET W1","description":"\u003cp\u003eMark Leckey's best-known video, Fiorucci Made Me Hardcore (1999), is a 15-minute journey into urban British youth culture from the mid 1970s to the early 1990s. Leckey's presentation of twenty years of dance hall material does not, however, result in a documentary work: the video is rather a visual essay with hedonistic promises of club culture, the birth of funky chic, and the cultural shift of the rise of Acid House. Active in music production through donAtella, a glam-trash duo formed by the artist and Ed Liq, Leckey also makes live performances, CDs, and sound installations. Plunged into the lowbrow of culture, Leckey is one of the most perceptive cultural readers of Western societies. This publication is the first to be dedicated to his work. Conceived as a source book of his working methods and fields of interest, it has been edited by the artist and features images of his main productions, as well as a wealth of other visual materials he has gathered through the years. In addition to original contributions, it includes reprints of texts from Michel Leiris and the 19th century-writer Walter Pater, as well as song lyrics.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdited by\u003cbr\u003eMark Leckey\u003cbr\u003eHeike Munder\u003cbr\u003eAuthor(s)\u003cbr\u003e\u003cbr\u003eMark Leckey\u003cbr\u003eNeil Mulholland\u003cbr\u003eHeike Munder\u003cbr\u003e\u003cbr\u003eEnglish\u003cbr\u003eISBN: 978-2-940271-34-4\u003cbr\u003eJanuary 2004\u003cbr\u003eHardcover, 160 x 230 mm\u003cbr\u003e162 pages\u003cbr\u003eImages 60 farbig \/ 16 b\/w\u003cbr\u003e\u003cbr\u003ePublished by JRP|Ringier (Switzerland and France only) and König Books, London.\u003cbr\u003e\u003cbr\u003eDesigned by NORM in close collaboration with the artist. Awarded in the competition \"The most beautiful Swiss books 2004\".\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161296576563,"sku":"","price":45.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/twindmill.jpg?v=1779094082"},{"product_id":"markus-schinwald","title":"MARKUS SCHINWALD","description":"\u003cp\u003eBoth the content and the extraordinary layout of this publication leave the conventional, structured exhibition catalogue behind, and instead aspire to the appearance of an encyclopedic volume in the style of late 19th-century publications. With its idiosyncratic character, the concept enfolds a specific connection to Markus Schinwald's artistic method. A library of terms related to the idea of lexicons was chosen and explained through short definitions of approximately 800 words. The artist accompanies these definitions with images. Thoughtful comments and touching illustrations alternate throughout this diverse book.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdited by\u003cbr\u003eAgnes Husslein\u003cbr\u003eHeike Munder\u003cbr\u003e\u003cbr\u003eAuthor(s)\u003cbr\u003eVirginia Dellenbaugh\u003cbr\u003eNicol Dietrich\u003cbr\u003eAlexandra Hennig\u003cbr\u003eAnina Huck\u003cbr\u003eAgnes Husslein\u003cbr\u003eHeike Munder\u003cbr\u003eMarkus Schinwald\u003cbr\u003eRaimar Stange\u003cbr\u003eRobert Treichler\u003cbr\u003eThomas Trummer\u003cbr\u003e\u003cbr\u003eEnglish \/ German\u003cbr\u003eOctober 2007\u003cbr\u003eISBN: 978-3-905829-22-8\u003cbr\u003eHardcover, 195 x 240 mm\u003cbr\u003e208 pages\u003cbr\u003eImages 100 color\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161296609331,"sku":"","price":45.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/schinwald_F.jpg?v=1779093954"},{"product_id":"mathilde-ter-heijne","title":"MATILDE TER HEIJNE: TRAGEDY","description":"\u003cp\u003eEdited by\u003c\/p\u003e\n\u003cp\u003eHeike Munder\u003c\/p\u003e\n\u003cp\u003eAuthor(s)\u003c\/p\u003e\n\u003cp\u003eHeike Munder\u003c\/p\u003e\n\u003cp\u003ePeter Friedl\u003c\/p\u003e\n\u003cp\u003eJan Verwoert\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eInterviews: Mathilde ter Heijne mit Elisabeth Bronfen, Gunnar Heinsohn, Azza El-Hassan, Margarethe von Trotta and Gertrud Hauptmann\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEnglish \/ German\u003c\/p\u003e\n\u003cp\u003eISBN 3-936919-11-9\u003c\/p\u003e\n\u003cp\u003e2002\u003c\/p\u003e\n\u003cp\u003e178 pages\u003c\/p\u003e\n\u003cp\u003eImages color, b\/w\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161296642099,"sku":"","price":45.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/Unknown.png?v=1779093128"},{"product_id":"mika-taanila","title":"MIKA TAANILA, 2005","description":"\u003cp\u003eAn artist, filmmaker, and documentarian, Mika Taanila integrates (and goes beyond) the various planes of contemporary art. His films, video clips and installations are built according to the principles of connection, interaction and collaboration. Between sound and image, between the latest electronic culture and technological aspirations of the 1960s, between documentary film and advanced experimentation, between fiction and reality, Taanila is working out a novel and protean approach to our representations of modernity and progress through his futuristic techno-utopias. Mika Taanila (*1965) lives and works in Helsinki.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdited by\u003cbr\u003eHeike Munder\u003cbr\u003e\u003cbr\u003eAuthor(s)\u003cbr\u003eKen Hollings\u003cbr\u003eHeike Munder\u003cbr\u003e\u003cbr\u003eEnglish \/ German\u003cbr\u003e\u003cbr\u003eISBN: 978-3-905701-32-6\u003cbr\u003e\u003cbr\u003eJuly 2005\u003cbr\u003eHardcover, 170 x 235 mm\u003cbr\u003e176 pages\u003cbr\u003eImages 116 color\u003cbr\u003e\u003cbr\u003ePublished by JRP|Ringier\u003c\/p\u003e","brand":"Migros Museum für Gegenwartskunst","offers":[{"title":"Default Title","offer_id":17161296871475,"sku":"","price":45.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/files\/taanila.jpg?v=1779092723"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0071\/3434\/7315\/collections\/Kat_Ausst_2014_Rhodes_Seite_11_f3389376-755e-47f6-bd8c-67a33c4e96ce.jpg?v=1778846891","url":"https:\/\/shop.migrosmuseum.ch\/en\/collections\/bucher.oembed?page=3","provider":"Migros Museum für Gegenwartskunst","version":"1.0","type":"link"}